Is it Character Weakness or Strength?

People dancing wildly

Bring some sense to your characters

We often focus on our characters’ weakness. This is fine because everyone has a weakness and that makes them relatable, but what if we focus on their strengths? We get more defined characters. According to psychologist Don Clifton, each strength, when used at the wrong time or inappropriately, can be seen by others as a weakness.

If we can make the over-application of character strengths to work in our writerly favor, we have crafted better characters

Example: Sally has a commanding strength. This is great in tight situations where somebody needs to take charge. People listen to her when the going gets tough. It’s her best strength so it comes natural, and she sometimes uses it when she doesn’t need to. When she tells people what to do in casual situations, they think she is bossy.

Often, a person can have strengths that counteract each other or fight for dominance

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Character Profiles

My husband used to stop me in the middle of my workday story to ask who somebody was.

I’d groan, “Candace. I just said her name.”

“No, like who is she to you? She’s just a name right now.”

Well darn. Can I just get that voice in my head when writing stories too?

See, characters are more than names. They are more than blue eyes, jet black hair, or freckles. Characters have eyes that roll, droop, dart, fixate. They have raven hair about as disheveled from lack of sleep as the actual bird after fighting a cat. Their freckles dance about their cheeks and come alive when they grin.

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