Is it Character Weakness or Strength?

People dancing wildly

Bring some sense to your characters

We often focus on our characters’ weakness. This is fine because everyone has a weakness and that makes them relatable, but what if we focus on their strengths? We get more defined characters. According to psychologist Don Clifton, each strength, when used at the wrong time or inappropriately, can be seen by others as a weakness.

If we can make the over-application of character strengths to work in our writerly favor, we have crafted better characters

Example: Sally has a commanding strength. This is great in tight situations where somebody needs to take charge. People listen to her when the going gets tough. It’s her best strength so it comes natural, and she sometimes uses it when she doesn’t need to. When she tells people what to do in casual situations, they think she is bossy.

Often, a person can have strengths that counteract each other or fight for dominance

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On John Ross and Perseverance

John and Mary Ross

This photo is from the Oklahoma Historical Society

I don’t often share themes from my stories but I will say this: they boil my blood, and they show me perseverance.

Today I had to brush up on my John Ross timeline. Can you imagine spending your life and energy in Washington to keep your people in their homes, and coming back to find that your own house has been taken? Given away, actually. Everything you built, every memory, signed away by people not authorized to speak for an entire nation. It is in somebody else’s hands and there is nothing you can do to get it back. None of the 17,000 people who backed your petition are of any consequence.

How did this come to be? Why is this important? WHO IS THIS GUY? If one is not familiar with the Cherokee Nation’s struggle, that person is probably thoroughly confused by now. Here is some background information. The entire story is so much more complex than what I have written here, and I encourage each reader to follow the links at the end of this post and also do more research.

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Vanity, Hybrid, and Traditional Presses VS Self-Publishing

stacked booksIf you spend a lot of time in writers’ groups, chances are you’ve seen this scenario. A poor, unsuspecting newbie asks the dreaded question:

“I got an offer from a publisher but not sure I can afford it! What should I do?”

Said unsuspecting newbie gets buried in proverbial excrement and feels shamed they don’t know about the difference between vanity, hybrid, and traditional publishers.

Thankfully I had spent enough time lurking in the groups to know a traditional publisher doesn’t ask for money, and a vanity press is one an author pays to get their book “published”. I was able to avoid the onslaught of “run away!” remarks.

As well-versed as I thought I was, I still hit a wall on the definition of a hybrid press. Is publishing not as black and white as I thought? If a hybrid is not as suspicious, what do they offer that a vanity press does not? I set to find out the difference between all these options.

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